We show how, through the integration of onscreen text, visual images, and music, the videos draw on multiple genres to convey pro-environmental narratives of concern and care for fish and other sea life, oceans, human workers, and consumers of seafood. Simultaneously, the videos construct identities grounded in class-based “distinction” (Bourdieu 1984) for Whole Foods and its shoppers, selling not only (sustainable) seafood to its viewers/shoppers, but also social and moral capital (akin to Bourdieu’s 1986 sense of cultural capital). Our study thus reveals how an elite practice – buying seafood at Whole Foods – is linguistically and multimodally constructed by the YouTube videos as being moral, ethical, and in good taste.
Cynthia Gordon and Alla Tovares-“One hook, one fish at a time”
We show how, through the integration of onscreen text, visual images, and music, the videos draw on multiple genres to convey pro-environmental narratives of concern and care for fish and other sea life, oceans, human workers, and consumers of seafood. Simultaneously, the videos construct identities grounded in class-based “distinction” (Bourdieu 1984) for Whole Foods and its shoppers, selling not only (sustainable) seafood to its viewers/shoppers, but also social and moral capital (akin to Bourdieu’s 1986 sense of cultural capital). Our study thus reveals how an elite practice – buying seafood at Whole Foods – is linguistically and multimodally constructed by the YouTube videos as being moral, ethical, and in good taste.